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Robert Mapplethorpe - On The Edge - ARoS udstillingskatalog - forsejlet
Til salg400 kr.
Beskrivelse
Fra Mapplethorpes udstilling i ARoS i 2016, kataloget var udgivet i et oplag af kun 2000 eksempler. Den vi sælger er stadig i sin originale folie, forseglet, aldrig åbnet og som ny. Vores billeder af bogens sider er taget fra et andet eksempel på denne bog, ikke den vi sælger her.
Blandt bidragyderne er Patti Smith, Rune Gade, Lars Movin, Jeanette Stampe, Erlend G. Høyersten, Maria Kappel Blegvad og Amalie Marie Laustsen. På dansk.
Bogen er blød omslag med fotoillustrationer for og bag. 167 rigt illustrerede sider, inklusive mange af Mapplethorpes vigtigste billeder. Der vises mange nøgenbilleder, portrætter og stilleben. 31,5 x 23,5 cm..
Afhentes fra vores butik i 8300 Odder, hvor vi udstiller mange mange andre photobooks, eller sendes på køberens regning. MobilePay OK.
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Hos Den Blå Avis annoncerer vi varer, hvis mindstepris er 200 kroner. I vores charmerende butik på Odders gågade kan du også finde kvalitetsbøger, LP'er og grafik til priser fra 20 kroner. Ellers er vi klar til at sende de fleste af de varer, som du ser her på DBA.
Mapplethorpe worked primarily in a studio, and almost exclusively produced black-and-white photography, with the exception of some of his later work and his final exhibit "New Colors". His body of work features a wide range of subjects and the greater part of his work is on erotic imagery. He would refer to some of his own work as pornographic, with the aim of arousing the viewer, but which could also be regarded as high art. His erotic art explored a wide range of sexual subjects, depicting the BDSM subculture of New York in the 1970s, portrayals of black male nudes, and classical nudes of female bodybuilders. One of the black models he worked with regularly was Derrick Cross, whose pose for the self-titled image in 1983 has been compared to the Farnese Hercules. Mapplethorpe was a participant observer for much of his erotic photography, participating in the sexual acts which he was photographing and engaging his models sexually.
Other subjects included flowers, especially orchids and calla lilies, children, statues, and celebrities and other artists, including Arnold Schwarzenegger, Andy Warhol, Louise Bourgeois, Debbie Harry, Susan Sontag, Kathy Acker, Richard Gere, Peter Gabriel, Grace Jones, Amanda Lear, Laurie Anderson, Iggy Pop, Philip Glass, David Hockney, Cindy Sherman, Joan Armatrading, and Patti Smith. Smith was a longtime lover/live-in girlfriend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. His work often made reference to religious or classical imagery, such as a 1975 portrait of Patti Smith from 1986 which recalls Albrecht Dürer's 1500 self-portrait. Between 1980 and 1983, Mapplethorpe created over 150 photographs of bodybuilder Lisa Lyon, culminating in the 1983 photobook Lady, Lisa Lyon, published by Viking Press and with text by Bruce Chatwin.
Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, "His obscenity is never obscene."
— Patti Smith, Just Kids
Sorte mænd, store pikke og sadomasochisme på tværs af tiden / Robert Mapplethorpes fotografier set i forhold til den klassiske kunst - Kapitel titel i kataloget.
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| Annonce-ID | 11532370 |
|---|---|
| Sidst redigeret | 1.7.2025 kl. 12:22 |
