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Chris McGregor: Very Urgent -LP jazz
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Stand: Som ny - ingen synlige brugsspor
En unik og ekstrem sjælden jazzklassiker (set til 1500 i australsk webbutik).
Sydafrikansk fødte Chris McGregor (1936-90) var både en stor jazzmand og en rebel mod apartheid. Hans musik forener afrikansk og free jazz i en festlig, dyb helhed. Denne plade var nok hans første "rigtige" vinyl og viser ham i storform.
Optaget 1968 - Polydot 184137 (orig. udgave) - Cover: VG++/vinyl Mint
(selvkl/mærkat med musiktype + mit navn på cover).
Musik: "Marie My Dear" (Dudu Pukwana) / "Travelling Somewhere" (Chris McGregor) – 16:40
"Heart's Vibrations" (Chris McGregor) – 7:03
"The Sound's Begin Again" (Chris McGregor) / "White Lies" (Chris McGregor) – 8:15
"Don't Stir the Beehive" (Traditional) – 15:05. Ialt: 47:35.
Musikere: Chris McGregor – piano
Dudu Pukwana – alto saxophone
Ronnie Beer – tenor saxophone
Mongezi Feza – pocket trumpet
Johnny Dyani – bass
Louis Moholo – drums (identisk med Blue Notes, blot med Beer på sax).
Anmeldelser: "This was a world-class free-band, and it's great to have the evidence back." -Guardian.
Andrey Henkin of All About Jazz stated: "By the time of this album, McGregor had begun to solidify a musical concept that combined celebratory South African music with burgeoning modern jazz. This album... is an extension of the Blue Notes but with greater absorption of modernist touches and the flowerings of each musician's unique voice.". AllAboutJazz's Clifford Allen commented: "The rhythmic approach is why this music, as much as it offers alms to American free jazz, will never sound Americanized".
Jazz Mann, Tim Owen: "exciting stuff,"
"Chris McGregor was born the son of a Scottish missionary, brought up on church hymns and Xhosa dances. He studied at the Cape Town College of Music and discovered the black jazz scene. His septet played in the 1962 National Jazz Festival... Harassed by the authorities, they escaped the country through an invitation to the 1964 Antibes Jazz Festival.
Fellow expatriate Abdullah Ibrahim helped them find work in Zurich, then at Ronnie Scott's in London and the Café Montmartre in Copenhagen.
... Mixed South African rhythms with free improvisation, an unprecedented fusion that created a completely original, unmistakable style ...Their exciting and joyous live performances are captured on releases by independent labels Ogun and Cuneiform. Keeping a large unit together became impossible, and when McGregor moved into the more comfortable climate of the south of France...An Ellingtonian musician, his real instrument being the orchestra, McGregor had a thick, percussive, and yet melodic piano style." -Jazz'R'us
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Sidst redigeret: 27.10.2025 kl. 11:46 ・ Annonce-ID: 15370905
